Videos

A selection of recent RNO performance videos are embedded below. 

Concert presenters may download high broadcast quality MPG video files here.

 

Tchaikovsky: Symphony No. 6, "Pathétique"

Concert in Memory of Van Cliburn

Conductor: Mikhail Pletnev
Great Hall, Moscow Conservatory | February 24, 2014

Mussorgsky: Pictures at an Exhibition

Part One: "Promenade," "The Gnome," "Interlude, Promenade Theme," "The Old Castle."

Conductor: Mikhail Pletnev
Köln, Germany | April 2004

Part Two | Part Three

Tchaikovsky: Romeo and Juliet

Conductor: Mikhail Pletnev
Tokyo, Japan | November 23, 1994.

Brahms: Violin Concerto, 2nd Movement

Soloist: Joshua Bell (violin)
Conductor: Mikhail Pletnev

Moscow | October 23, 2009

Tchaikovsky: Swan Lake Suite

2009 RNO Grand Festival
Conductor: Mikhail Pletnev
Moscow | September 12, 2009

Scriabin: The Poem of Ecstasy

Soloists: Vladislav Lavrik (trumpet), Alexey Bruni (violin)
Conductor: Mikhail Pletnev
Moscow | November 7, 2012

Tchaikovsky: Piano Concert No. 1

Mikhail Pletnev performs the original version of Tchaikovsky's First Piano Concerto
Conductor: Alexander Sladkovsky
Beijing, China | March 15, 2018

Ravel: Bolero

Performed at the RNO's 20th Anniversary Jubilee Concert

Conductor: Kent Nagano
Moscow | November 5, 2010

Mendelssohn: Symphony No. 5

Dream on a Summer Night

Conductor: Mikhail Pletnev
Great Hall of the Moscow Conservatory, Moscow | September 13, 2007

 

RNO in the Grand Kremlin Palace

Fragment of Tchaikovsky's 1812 Overture

Conductor: Mikhail Pletnev
Georgievsky Hall, Moscow's Grand Kremlin Palace | October 2005

Rachmaninoff: Isle of the Dead

Conductor: Mikhail Pletnev

Salle Pleyel, Paris | October 2012

Bizet: L'Arlésienne Suite

Suite for A. Daudet's drama "L'Arlésienne"

2017 RNO Grand Festival
Conductor: Mikhail Pletnev
Tchaikovsky Hall, Moscow | September 2017

 

What They’re Saying

"Like everything else about how Pletnev runs this orchestra, he takes nothing for granted... And also like everything else about this remarkable organization, he makes it seem not just new but newly worthwhile."

Los Angeles Times