Taneyev: At the Reading of a Psalm
Sergei Taneyev
At the Reading of a Psalm
Cantata No. 2 Op. 36 (1914-1915)
With the St. Petersburg State Academic Capella Choir and the Tchernushenko Boys Choir of the Glinka Choral College
Mikhail Pletnev, conductor
At the Reading of a Psalm
Cantata No. 2 Op. 36 (1914-1915)
With the St. Petersburg State Academic Capella Choir and the Tchernushenko Boys Choir of the Glinka Choral College
Mikhail Pletnev, conductor
Pentatone
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Awards
Classical CD of the Week: The Telegraph, London
Reviews
SA-CD.net
Recordings of Taneyev's own music, apart from a few chamber works, are few and far between, so this marvellous recording of his final composition is not to be missed... The huge forces involved have been captured in outstandingly vivid, almost tangible sound... while at the same time the atmosphere of the live concerts and illusion of 'being there' has been perfectly achieved in the multi-channel mix.... This is undoubtedly one of the finest choral recordings to appear in recent years and another splendid achievement by PentaTone!
Fanfare
...At the Reading of a Psalm, Taneyev's second cantata and his last masterpiece, [is] an epic monument of a score that marries the dignity of Russian church music with the emotional immediacy of Italian opera. It's one of the finest things in all music, and it never had a recording that burned with such passion.
Fanfare Magazine
[Pletnev] keeps the textures admirably transparent in this complex and
fascinating work. The RNO… copes ably with the cantata’s challenges…. While
the engineering is excellent in stereo, in surround sound the orchestra and
chorus acquire a dimension of massiveness due to the hall reverberance
entirely appropriate to the performance of such a piece in a concert venue.
It’s impressive in its own right, especially at the powerful conclusions of
the first and third movements. With excellent liner notes and texts in
English and transliterated Russian, I can highly recommend this release.
Elsevier
This marvelous Cantata – Taneyev's swan song – proves that he was the most
important Russian contrapuntist, with an extremely organised control of the
form and results of almost bizarre mystic beauty. Mikhail Pletnev
conducts... a wonderful dark Slavic perfomance.
Classical CD Review
Taneyev's music is grand in scale, constantly rewarding and his mastery of
composition is evident from several fugues particularly the triple fugue at
the conclusion. This performance is magnificent with four sterling soloists,
a large enthusiastic chorus, and orchestral playing of the highest order...
Without question, this is one of the finest, most realistic
choral/orchestral recordings to be heard... This is a handsome production
with complete texts in Russian, English, German and French. Highly
recommended!
BBC Music Magazine
Mikhail Pletnev clearly believes passionately in the work, and he conducts the orchestra he founded, the Russian National Orchestra, with loving attention to detail. The orchestra [is] a virtuoso band, and there are numerous beautifully shaped woodwind solos.
The Telegraph, London
Mikhail Pletnev...has been making a strong case for Taneyev, whose music is
generally outstripped in popularity by that of his pupils, among them Skryabin and Rachmaninov. The drama of At the Reading of a Psalm packs quite a punch, Taneyev deploying the contrapuntal techniques that were his special forte with verve and richness against a sumptuous harmonic backcloth. The cantata was completed in 1915; its text takes Psalm 50 as a springboard for reflections on God's exhortation to brotherly love. As such, it is a sort of
philosophical counterpart to Beethoven's Missa solemnis... It is a terrific piece, and this fine performance does it proud.
Gramophone
Taneyev's use of fugue as symbol of 'the superior reason dominating the universe' [compares] with Beethoven's approach to sacred words in the Missa Solemnis... Mikhail Pletnev does well to clarify this, and much else in the work, so successfully. [The music] rewards the close listening it demands.